With the Serena Marina, the studio moved further into experiential design — treating lighting not as a finishing layer, but as a primary spatial tool. 

 

Working in concert with soft geometries and a carefully layered material palette, the lighting scheme creates an immersive social environment that shifts in character across the day. Morning light is calm and diffuse; evenings take on a warmer, more gathered quality. 

 

The spatial planning places flow and sociability at the centre. Circulation is generous. Transitions between zones are considered. The material palette — restrained, tonal, European in character — ensures the interior remains timeless rather than trend-driven. 

 

It is a balance the studio returns to often: the kind of space that feels inevitable rather than designed. 

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